The Munich artist Patricia London Ante Paris has transformed the invitation for a solo show at Town Hall Gallery in Munich in a thematically profiled interview with four female guests. In the medium of art is discussed here before and with the audience about the chances of a newly qualifying contemporary femininity: the awareness of anthropological and cultural roots of femininity, and may in the analysis of distorted images of femininity today the role of women in art and society are new contours. Patricia London had its approach summarized as follows: "The exhibition super femmes - artistic concept and hypothesis on the origin of the fascination with the female figure - brings together five artists. Sylvie Fleury skips casual dress in a feminine formula 1 conquered the barriers of the male-dominated racing, Ulrike Rosenbach with charm and gun the male art world of the 1970s. Josepine Meckseper displays the object character of the female body, Simone Westerwinter shows directed performance, as can be ambiguous in the context of gender, the interpretation of a face painting, because women look with a black eye as victims, men do like heroes. "
Patricia London's investigations into the forms of patriarchal social structures - the critical reflection of corporate power and capitalism - from the beginning had a parallel in their employment with the findings of the matriarchy. In recent years it has devoted to this research once more intense and designed from various work groups and exhibition concepts under the title "Suprematism féminine '. The starting point was the dispute with the Russian Suprematism 1910er/20er the years and re-reading of Hélène Cixous font> écriture féminine '. If prehistoric matrilineal social organizations in which the maternal line were worshiped dominated and goddesses, the oldest form of human social life are, could be in the future, the question of the artist, "matriarchal-syndicalist economies replace again the patriarchal-capitalist action?"
discussed Artistic is this radical question Patricia London in four working groups as it has developed for the exhibition Super Femmes'. Four cone-shaped Softsculptures are printed with drawings of four exemplary female figures with Marge Simpson (from the comic series) in November 2009 as the first cartoon character ever Pin-up Playboy was a centerfold, the Venus of the Alb, in July 2009 in the Swabian Alb found sculpture of a primeval goddess, with the famous Venus of Willendorf, a sculpture of a primeval goddess, 25,000 years, unearthed in 1905 in the Wachau: and Ardi, ( for Ardipithecus) previously found oldest Hominidin, 4,4 millions of years and were selected by their partners to reduced aggression (short canines) and aesthetics (high cheekbones), so they help with child rearing.
In the movie "Super Femmes at City Hall, 4'19 ', take the 4 Softsculptures, turn into costumes, the City Council of Munich. Four graphs show the cone than air balloon heads, the text is displayed in the super femmes elliptical motion. The Triptych> your mother's vagina \u0026lt;defines the elliptic ornament as the female sex, and refers to the context of the displaced leading social position of women.
Patricia London's investigations into the forms of patriarchal social structures - the critical reflection of corporate power and capitalism - from the beginning had a parallel in their employment with the findings of the matriarchy. In recent years it has devoted to this research once more intense and designed from various work groups and exhibition concepts under the title "Suprematism féminine '. The starting point was the dispute with the Russian Suprematism 1910er/20er the years and re-reading of Hélène Cixous font> écriture féminine '. If prehistoric matrilineal social organizations in which the maternal line were worshiped dominated and goddesses, the oldest form of human social life are, could be in the future, the question of the artist, "matriarchal-syndicalist economies replace again the patriarchal-capitalist action?"
discussed Artistic is this radical question Patricia London in four working groups as it has developed for the exhibition Super Femmes'. Four cone-shaped Softsculptures are printed with drawings of four exemplary female figures with Marge Simpson (from the comic series) in November 2009 as the first cartoon character ever Pin-up Playboy was a centerfold, the Venus of the Alb, in July 2009 in the Swabian Alb found sculpture of a primeval goddess, with the famous Venus of Willendorf, a sculpture of a primeval goddess, 25,000 years, unearthed in 1905 in the Wachau: and Ardi, ( for Ardipithecus) previously found oldest Hominidin, 4,4 millions of years and were selected by their partners to reduced aggression (short canines) and aesthetics (high cheekbones), so they help with child rearing.
In the movie "Super Femmes at City Hall, 4'19 ', take the 4 Softsculptures, turn into costumes, the City Council of Munich. Four graphs show the cone than air balloon heads, the text is displayed in the super femmes elliptical motion. The Triptych> your mother's vagina \u0026lt;defines the elliptic ornament as the female sex, and refers to the context of the displaced leading social position of women.
